Skip to main content

Going to Graceland

Graceland Cemetery is also known for its beautiful landscape and magnificent trees. Postcard printed by V.O. Hammon of Chicago.


Situated at Irving Park Rd. and Clark St. near Wrigley Field is Graceland Cemetery, a scenic 119-acre burial ground and arboretum where many of Chicago’s elite have been laid to rest. The cemetery was established in 1860 by lawyer Thomas Bryan and designed by landscape architects H.W.S. Cleveland, Ossian Simonds, and William Le Baron Jenney, who is also known for designing the first skyscraper.

Graceland became famous as the “Cemetery of Architects.” Along with its three designers, other prominent architects who are buried in Graceland include Louis Sullivan, who designed the Carson Pirie Scott building; Ludwig Mies van der Rohe, who designed Chicago’s Federal Center; and Fazlur Khan, who designed the Sears Tower and John Hancock Center. The grave of architect Daniel Burnham, who was chief of construction for the 1893 Columbian Exposition, lies on a small, wooded island surrounded by a tranquil pond. 

 Other celebrities resting at Graceland include detective Alan Pinkerton, who founded the Secret Service, meatpacking baron of the Chicago stock yards Phillip Armour, heavyweight boxer Jack Johnson, and baseball player Ernie “Mr. Cub” Banks. A 2-ft. granite baseball monument stands on the grave of William Hulbert, who founded Major League Baseball’s National League. 

The grave of retailer Marshall Field, who was at one time Chicago’s richest man, is marked by a statue of a woman sitting on a regal, throne-like chair, resting her head in her hands with a mournful expression on her face. The statue was sculpted by Daniel Chester French and is titled “Memory.” 

The burial place of George Pullman, the first engineer to build a sleeper-car train and founder of the South Side “town” where his company’s laborers once lived, features a stately column and benches reminiscent of ancient Greece. But underneath, Pullman’s tarpaper and asphalt-covered coffin lies inside a large concrete block topped with railroad ties. This high-security grave was built because the Pullman family feared vandalism by angry laborers. The infamous 1884 Pullman Strike resulted when Pullman raised the rents for his workers without raising their wages and became a milestone for the labor movement. 

One man who now rests at Graceland, Ludwig Wolff, was known to have harbored a fear of being buried alive. His tomb was carved into a built-up mound with stairs leading to its entrance. The tomb includes a ventilation system and was equipped with bells and whistles just in case Wolff’s worst fear was realized. Some believe the ghost of Wolff’s dog guards the tomb, and his glowing, watchful eyes can sometimes be seen in the moonlight. 

Tomb buildings make for an eerie scene at Graceland. Postcard by The Gothic Tea Society. 


Strange occurrences have also been known to happen at the burial site of a young girl. Cemetery records confirm that a 6-year-old girl named Inez was buried at Graceland after her tragic death from diphtheria in 1880. Inez’s family had a statue of the girl’s likeness placed on her grave. The statue was known to go missing and return again mysteriously, much to the dismay of the cemetery’s security guards. The statue was eventually enclosed in a glass case to prevent such happenings, but the reports of disappearances and reappearances continued. 

A pyramid-shaped monument houses the tomb of beer brewer Peter Schoenhofen. The entrance to the tomb is flanked by a statue of an Ancient Egypt-era sphinx on one side and a Victorian-era angel on the other side. Maybe Schoenhofen wanted to make sure all of his bases were covered. 

Of all the grave sites at Graceland, perhaps the most striking and memorable is the final resting place of Dexter Graves, a hotelier who was one of the first people to settle in Chicago in the 1830s. The burial site is marked with an oxidized bronze statue sculpted by Lorado Taft. The statue is named “Eternal Silence” and depicts a larger-than-life hooded figure. The figure’s face is partially obscured by one arm clothed in a flowing robe and is, objectively speaking, pretty darn terrifying. Legend has it that those who are brave enough to get close enough to the looming statue and look into its eyes will catch a glimpse of their own afterlife. 

For those who want to see it for themselves, Graceland Cemetery is open to visitors. The cemetery’s website also advertises that spaces are still available for those who want to spend their final resting days in the company of Chicago’s past movers and shakers. 

 Written by Emily Ruzich 

Sources: Graceland Cemetery website: www.gracelandcemetery.org 
L Stop Tours blog at www.lstopstours.com: “Graceland Cemetery: Resting Spot for Chicago’s Nobility” by Tom Schaffner (January 11, 2020) 
Chicago Hauntings blog at www.chicagohauntings.com: “The Mystifying Silence and the Ghosts of Graceland Cemetery” by Ursula Bielski (April 9, 2019)

Comments

  1. I love this cemetery! I was raised in the neighborhood and always loved hanging out in there. I especially liked the little island i would sit out there for a long time it was so quiet and calming to me.. its definitely one of the most beautiful cemeteries I've ever been in..

    ReplyDelete
  2. NBC's WMAQ in Chicago produced an hour-long special in 1971 on the cementary covering histories of Pinkerton, Jack Johnson and others.

    ReplyDelete

Post a Comment

Popular posts from this blog

Burlesque Dancer Sally Rand Took the Chicago World's Fair by Storm

Sally Rand danced at the Streets of Paris exhibit. Postcard printed by Curt Teich & Co, Chicago. Sally Rand was never supposed to perform her iconic “fan dance” at the 1933 Century of Progress World’s Fair in Chicago. The dancer’s requests to perform inside the Streets of Paris exhibit had been turned down several times. But Rand decided to take matters into her own hands by riding into a pre-opening party on the fairgrounds, uninvited, on a white horse wearing nothing but a velvet cape. The crowd loved it. Rand was arrested but released the next day, when she promptly accepted an offer to perform as the headliner in the Café de la Paix’s floor show for $90 per week. While her dancing broke boundaries and city decency ordinances at the time, her legacy was born and Rand made her cultural mark on the world. According to The 1933 Chicago World’s Fair by Cheryl Ganz, 29-year-old Sally Rand had previously worked as an acrobatic circus performer and film stuntwoman. She had also alread...

Marshall Field's at Christmas

  The aisle on the first floor of the State Street store is 358 feet long. Postcard publisher is unknown.  Many Chicagoans continue to miss visiting Marshall Field’s during the holiday season. Just talking about the famed Christmas windows and holiday decorations brings about memories of the department store’s glory days. Many of us can recall the strong smell of perfume that would greet visitors upon entering the flagship State Street store, along with the huge white Romanesque columns decorated with Christmas fare on the first floor. The real fun, however, was taking the elevator to the 7 th floor to get a glimpse of the giant Christmas tree inside the Walnut Room restaurant. The best place to view the tree was one floor up on a balcony area. Christmas decorations on the first floor. Postcard publisher is unknown.  Frango mint chocolates were piled high in various areas throughout the store, and many visitors couldn’t resist buying a box. Frango chocolates were once ...

Putting the “Toddle” Back in “That Toddling Town”

  Postcard designed and sold by appshop. The “toddle” was a jazz dance step that became popular across the nation just in time for the Roaring Twenties. And Chicago became known as “that toddling town” thanks to the lyrics of Fred Fisher’s 1922 song “Chicago (That Toddling Town).” While many still know Frank Sinatra’s famous cover version of that song, the dance step has largely been forgotten. In a 1921 South Bend News-Times article, dance teacher Arthur Murray describes the toddle as having the “delightful abandon so characteristic of everything American.” According to Murray, the toddle was similar to the shimmy but without the shoulder shakes. It also bore a resemblance to the fox trot but with an extra bounce added to the steps. Songwriter Fred Fisher was not the first to associate the toddle with Chicago. A variation of the toddle, which focused on movements of the hips rather than the feet, was called “the Chicago toddle” or simply “the Chicago.” In 1921, a print adverti...